On the flipside to that very appropriate generational moment, episode 6 features ’80s synth-pop group Bronski Beat as the backing for yet more party scenes from drunk Jules staggering around the house to Kat engaged in a makeout sesh in the bathroom. CocoRosie – ‘Gallows’īillie Eilish – ‘You Should See Me In A Crown’ Billie Eilish‘s ‘You Should See Me In A Crown’ makes Kat’s strut through the mall all the more powerful, all eyes on her as she walks by with supreme confidence. It’s fitting that this show about Gen Z characters features the ultimate Gen Z pop queen on its soundtrack. Pino Donaggio – ‘I Colori di Dicembre (Laura’s Theme: The Last Farewell)’ The song floats over the final scenes of the installment as the camera rotates between Rue and Jules embracing in bed and the pair in various other imagined situations, all of which see them happy and in love. Maverick Sabre)’Įpisode 4 features only three tracks, including the bright classical piece, ‘I Colori di Dicembre’. A different rendition is featured in episode 3, though, with just the British star on vocals.Ĭity Morgue & SosMula – ‘KenPark (SosMula Solo)’
#House party soundtrack full#
Fragments of it are heard throughout before the finale sees Zendaya and Lab team up on the full version. Labrinth’s ‘All For Us’ is a big song in Euphoria. 3 “Un Sospiro”’Īir Supply – ‘Even The Nights Are Better’ KLP)’įranz List & Alba Ventura – ‘Étude de Concert in D Flat Major, S144 No. Lil Wayne & Birdman – ‘Stuntin’ Like My Daddy’īobby Womack – ‘Fly Me To The Moon (In Other Words)’ Elsewhere, the soft-rock of Air Supply’s ‘Even The Nights Are Better’ provides the soundtrack to the bloody aftermath of Nate’s violent assault on Tyler. The London singer and rapper pitched in on the score for Euphoria, responsible for those little organ notes that litter the show, as well as contributing ‘Mount Everest’ and ‘All For Us’ to the soundtrack. Jamie xx, Young Thug and Popcaan – ‘I Know There’s Gonna Be (Good Times)’Įpisode 2 sees the first of two new Labrinth songs appear.